This reflection explores the rightful place and proper use of musical instruments in Catholic liturgical
worship. Anchored on Article 120 of Sacrosanctum Concilium and key ecclesiastical documents like
Musicam Sacram and Tra le Sollecitudini, it defines sacred instrumental music as that which is created
for worship and is characterized by holiness, artistic value, and universality. It critiques contemporary
liturgical practices in Nigeria, especially the frequent misuse of secular and banal instrumental styles
under the guise of inculturation. It emphasizes the organ as the preeminent instrument in the Latin
Church, extolling its capacity to sacralize worship space and elevate the minds of the faithful. Forms of
instrumental arrangements such as the organ, gospel bands, native instruments and orchestras are
discussed, with a call for all to conform to the sacred nature of liturgy. The essay concludes with
practical guidelines on the use of musical instruments during different liturgical seasons and
underscores the instrument’s supporting—not overwhelming—role in worship.
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References (APA)
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