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The Place and Proper Use of Musical Instruments in the Liturgy

Dr. Jude Toochukwu Orakwe

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Abstract

This reflection explores the rightful place and proper use of musical instruments in Catholic liturgical worship. Anchored on Article 120 of Sacrosanctum Concilium and key ecclesiastical documents like Musicam Sacram and Tra le Sollecitudini, it defines sacred instrumental music as that which is created for worship and is characterized by holiness, artistic value, and universality. It critiques contemporary liturgical practices in Nigeria, especially the frequent misuse of secular and banal instrumental styles under the guise of inculturation. It emphasizes the organ as the preeminent instrument in the Latin Church, extolling its capacity to sacralize worship space and elevate the minds of the faithful. Forms of instrumental arrangements such as the organ, gospel bands, native instruments and orchestras are discussed, with a call for all to conform to the sacred nature of liturgy. The essay concludes with practical guidelines on the use of musical instruments during different liturgical seasons and underscores the instrument’s supporting—not overwhelming—role in worship.

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Orakwe, J. T. (2025-05-15). The Place and Proper Use of Musical Instruments in the Liturgy. Boston Research Journal of Social Sciences & Humanities, 5(2), 49-61.

References

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Copyright

© 2025 Orakwe. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

*Correspondence: Dr. Jude Toochukwu Orakwe

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