Changing Perspectives Between Chinese Landscape Painting of Song Dynasty in the Tenth to Thirteenth Century and Western Landscape Painting in the Seventeenth to Nineteenth Century: Seeing Through Chinese Aesthetic Viewpoints and Pre-QinDaoism

This paper is aimed at comparing the difference and similarity between Chineselandscape painting in the Northern and Southern Song dynasties and westernlandscape painting during the seventeenth century to nineteenth century throughinterdisciplinary method of combining David Sack’s sociological framework, Chinese aesthetic criteria of landscape and philosophical thoughts of Pre-QinDaoism. Firstly, it…